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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <description>A name given to the resource</description>
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                <text>Layer 2: Solid Color </text>
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                <text>This layer contains the non-white solid colors on the map: blue, orange, yellow and black. I chose this as the second layer for two reasons. &#13;
&#13;
First, I thought isolating the color without any text or other map elements would help me be able to discern the rationale behind why colors are used where they are. On the map, land masses are always colored with the exception of Antarctica. The Americas, Africa, and parts of Asia are in blue, Europe and Japan are in yellow, and the rest of Asia and the middle East are in orange. Japan is also outlined in orange, while no other land masses have a different color outline (perhaps to signal that the map is from a Japan-centric point of view/make the country pop out in a way). My best hypothesis for the continental division of color is importance for Japanese  politics or economics. Yellow (Europe and Japan) would be the most important, the orange (the greater Asia area) would be second, and Blue (Western Hemisphere and Africa) third and uncolored areas (Antarctica!) last. The only non-blue part of the Americas is an orange-colored river that is depicted as protruding into the West coast of North America. If my hypothesis is correct, then the river is the most important part of the continent to the Japanese (perhaps a potential area for exploration/shipping). The mountains of Asia are also in blue, maybe hinting at their relative economic unimportance? The far North Arctic area is in black, a clear isolated division from the rest of the world. &#13;
&#13;
Second, returning to my first layer (organizational boundaries), some of the text-filled boxes I isolated in my first layer are colored orange or yellow, while others are uncolored. This could also represent a hierarchy of importance or a division of topic. Just as the black lines do, the colors influence our perception of what the most important or crucial elements of the map are. Black boxes along the equator each contain one Japanese character, which could have locational (i.e. coordinates) importance. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Tomas Spiers</text>
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        <name>Dublin Core</name>
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            <description>A name given to the resource</description>
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                <text>Layer 3: Mountains</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>This layer shows all of the mountains depicted on the map. While the mountains depicted are surely not a comprehensive representation of all of the world's mountains, I found it interesting that they were the only natural landform on the map (besides a few large lakes). The mapmaker considered the presence of mountains important enough to include, perhaps as distinguishing features of different geographical areas or divisors between regions.  The inclusion of mountains reveals the maps multi-faceted focus: on physical landforms as well as information about cultures presented by the drawings of people. This map layer is very interesting compared with the "solid colors" layer; the mountains in Asia are colored blue, distinguished from the surrounding orange color, while the mountains in the Americas are the same color (blue) as the surrounding land mass. This contributes to my hypothesis about the hierarchy of colors representing important areas in the increasing order: white, blue, orange, yellow. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Tomas Spiers</text>
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      <description/>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Layer 4: Black donut squares</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>This layer depicts a symbol that is used frequently on the map. It is a small black square with a small hole in the middle, hence the name "Black donut squares."  These squares occur only on land masses, pretty evenly spread around the world, and their inclusion means they are marking something important that exists in different areas of the world. The shape used hints that they are meant to narrow in on an exact location; the small hole in the middle directs the viewer's eyes to a specific point on the map. In many modern maps I am familiar with, symbols that are small and focused represent cities or settlements, which was my initial guess for what they mean on this map. On second look, I saw that there are many of them on the large Southern land mass (probably Antarctica), which definitely does not have several major cities. The symbols do not obviously look like any physical landscape feature either. These squares are the most puzzling element of the map to me and I wonder if being able to read Japanese would clarify their meaning, or if the lack of an obvious key or legend makes it difficult to interpret for even the Japanese-fluent viewer. Even though I have difficulty interpreting the symbols' meaning, I can tell they are important for the conveying information about the world and what it contains, so I decided to include it as one of my layers. Their isolation as a layer did not significantly help me in understanding their function. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Tomas Spiers</text>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Spatial Histories</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>What do spatial histories look like? Here is a gallery of images that advance and enrich the histories laid out in &lt;a href="http://hist1952-17.omeka.fas.harvard.edu/exhibits/show/mobility" target="_self"&gt;these student projects&lt;/a&gt;.</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mapping the Inquisition: Nova descriptio Hispaniae</text>
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            <description>The topic of the resource</description>
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                <text>Iberia</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Valvassori, Giovanni Andrea, active 1510-1572.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Layer 1: Water Obstacles</text>
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                <text>The dominant features, and therefore first layer of this map are the various water obstacles.  The water obstacles are denoted in dark blue and frame the map on the north, west, and east sides.  The water must be the first layer, as the rest of the layers deal with either circumventing or otherwise neutralizing the effects of the water on further military operations. Furthermore, the water and beach area represent the natural disorder associated with this type of terrain and the subsequent map layers show 533rd Engineer Beach and Shore Regiment’s attempt to organize and delineate this section of beach.  The map is small in scale and affords the creator a great of amount of detail.  Interestingly, he carefully depicted the current of the narrow rivers and individually drew trees and plant life in the marsh area.  I interpret this to mean that he thought it necessary to convey to the map users the in-accessibility of the areas outside of the road network. </text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Layer 2: Roads</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The roads seem to be the logical next layer.  They are likely the first effort made by the military unit to allow vehicular movement and more operations through the beach area.  There are two types of roads depicted, improved and un-improved.  The improved roads, drawn with solid lines bisect and dissect the beach area and the primary road leads south into the interior of the island.  The six unimproved roads, depicted with dashed lines and arrayed essentially north to south, originate from the shore and lead to 533rd bivouac area or to one of three logistics resupply areas.  The lines are all drawn with a straight edge, with the exception of the road leading into the bivouac area.  Again, I think this shows the ruggedness of the terrain. </text>
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      <name>Tracing</name>
      <description/>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Layer 3: Shore Party 533rd graphics&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&#13;
	The third layer is for the “shore party”, in this case the 533rd Regiment.  This layer consists of the multitude of military graphics for the use by this particular unit only.  While the map was designed by the S-2 (Intelligence Officer) of the 533rd, I believe that some of the graphics, IE the bivouac areas and unit symbols, were only for the Soldiers of the 533rd and not necessary information for follow-on units.  In other words, if I was a Soldier in F Company, 533rd, I would know, by looking at the map, that I could find food and a place to sleep in the northwest quadrant of 533rd’s territory.  With typical military precision, the S-2 carefully drew each unit’s designator, along with numerical text next to each symbol.  The associated circle surrounding each unit designates the amount of territory each unit can take for its company area.  The Head Quarters of the 533rd is situated in the middle of the logistics operations, in an appropriate spot to control the operations.  &#13;
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      <description/>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Layer 4: Logistics operations&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>I believe that this map’s purpose is to depict logistics operations, specifically unit resupply, as U.S. Army land forces came ashore on this Philippine island.  As the units moved from the beach, they were directed into one of six un-improved roads, leading into three logistics areas.  There, they were resupplied with ammunition, rations, and fuel. The carefully drawn arrows point the direction the units were to take, with the eventual movement into the interior.  I have no idea if this was by design, but the map seems very ominous.  The road south, into the island, is unfinished and the coloring of the map could be described as gloomy.  Finally, the stark red line, with triangles and text reading “Beach Perimeter” denote a definite separation between logistics and the likely combat faced by the follow-on forces. </text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>Layer 3: Text&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The purpose of the text serves to help the viewer identify countries, cities, or river names. This map was likely used more for artistic purposes rather than traveling purposes, so having the text in Latin allowed for ease in translation to other languages. Some text is emphasized more than other text. For example, the names of the continents stand out, but the names of the cities are in small, cursive font.&#13;
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              <text>Scale not given</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sekai bankoku Nihon yori kaijō risu kokuin ōjō jinbutsuzu</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Harvard Map Collection (&lt;a href="http://id.lib.harvard.edu/aleph/012316889/catalog" target="_blank" rel="noreferrer"&gt;permalink)&lt;/a&gt;</text>
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            <name>Date</name>
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                <text>1850</text>
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                <text>Japanese</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Relief shown pictorially. &#13;
This map, published in the late Edo period, was one of many variations based on the original version of the Matteo Ricci series of maps of the world. This map shows the shape of the continents much simplified. The map prospectus shows people of different countries in various poses. It includes a fictitious country that is far from Japan and easy to see. &#13;
Wood block print. &#13;
Includes text. </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1 map : col. ; 44 x 32 cm. </text>
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